Complexity Of Society :: essays research papers

Complexitiy of Society Showing their role in society, women in literature are often portrayed in a male dominated position. Especially in the nineteenth century, women were repressed and controlled by their husbands as well as other male influences. In "The Yellow Wallpaper", by Charlotte Perkins Gilman, the protagonist is oppressed and represents the effect of the oppression of women in society. This effect is created by the use of complex symbols such as the house, the window, and the wallpaper which encourages her oppression as well as her self expression. It is customary to find the symbol of the house as representing a secure place for a woman's transformation and her release of self expression. However, in this story, the house is not her own and she does not want to be in it. It represents a prison in which she is trapped. She declares it is "haunted" and that "there is something strange about the house"(Gilman 195). Although she acknowledges the beauty of the house and especially what surrounds it, she constantly goes back to her feelings that "there is something strange about the house"(Gilman 195). Her first impression of the house almost tells you that the narrator knows of the upcoming transformation that will take place in the house while she is there. The barred window in the bedroom, is a specific characteristic of the house that symbolizes her trapped feeling in the house. Traditionally a window symbolizes the felling of a view of possibilities, but now it is a view of things she doesn't want to see. Through it she sees all that she could be and could have. But closer to the end she says "I dont like to look out of the windows even - there are so many of those creeping women, and they creep so fast"(Gilman 205). She knows she has to hide or she too will have to creep in order to be part of society and she does not want to see all the other women who have to do the same because she knows they are a reflection of herself. "Most women do not creep by daylight," means that they need to hide in the shadows; they try to move without being seen (Gilman 203).The window no longer holds as a gateway for her because of the bars holding her into her place in society. She will be controlled by man and will not be allowed to express her self. She will be forced to creep. The most important symbol in all of "The Yellow Wallpaper" is the wallpaper itself which plays a double role. Complexity Of Society :: essays research papers Complexitiy of Society Showing their role in society, women in literature are often portrayed in a male dominated position. Especially in the nineteenth century, women were repressed and controlled by their husbands as well as other male influences. In "The Yellow Wallpaper", by Charlotte Perkins Gilman, the protagonist is oppressed and represents the effect of the oppression of women in society. This effect is created by the use of complex symbols such as the house, the window, and the wallpaper which encourages her oppression as well as her self expression. It is customary to find the symbol of the house as representing a secure place for a woman's transformation and her release of self expression. However, in this story, the house is not her own and she does not want to be in it. It represents a prison in which she is trapped. She declares it is "haunted" and that "there is something strange about the house"(Gilman 195). Although she acknowledges the beauty of the house and especially what surrounds it, she constantly goes back to her feelings that "there is something strange about the house"(Gilman 195). Her first impression of the house almost tells you that the narrator knows of the upcoming transformation that will take place in the house while she is there. The barred window in the bedroom, is a specific characteristic of the house that symbolizes her trapped feeling in the house. Traditionally a window symbolizes the felling of a view of possibilities, but now it is a view of things she doesn't want to see. Through it she sees all that she could be and could have. But closer to the end she says "I dont like to look out of the windows even - there are so many of those creeping women, and they creep so fast"(Gilman 205). She knows she has to hide or she too will have to creep in order to be part of society and she does not want to see all the other women who have to do the same because she knows they are a reflection of herself. "Most women do not creep by daylight," means that they need to hide in the shadows; they try to move without being seen (Gilman 203).The window no longer holds as a gateway for her because of the bars holding her into her place in society. She will be controlled by man and will not be allowed to express her self. She will be forced to creep. The most important symbol in all of "The Yellow Wallpaper" is the wallpaper itself which plays a double role.

Kinetic Sculptures

A sculpture or three dimensional work of art, can not only be stationary, but kinetic.   Kinetic sculptures can and does move.   Many times mobiles are fixed to a baby’s crib to engage the child in active visuals.   The same principle is used in kinetic sculptures except they are works of art and are for every age to appreciate.   The intriguing element of a kinetic sculpture is that it changes because it moves.Alexander Calder was innovative in the area of kinetic sculpting.   IN 1960, he created a sculpture, The Star.   The Star is a light mobile which changes with the slightest movement of wind.   Even though the he uses nonfigurative shapes, they almost resemble birds in colors of black and red, with a single yellow star at the top.   These shapes were made from thin strips of sheet metal and attached by rods to hold them in place.The lightness of weight gives the sculpture an airy effect.   The lightness adds to the mobility of the art.   The rods are connected to the sheet metal shapes so that there is mobility in there as well.   The concept is for the statue to be a little different every time one looks at it.   The sculpture looks as if it glides in the air.   While Calder’s first kinetic sculptures relied on cranks and pulleys, he totally relied on wind to move his mobiles.Calder’s kinetic sculpture The Star was a unique form of abstract art.   The objective of the sculpture was shape and color.   The Star is a sculpture that is a new work of art every time the air moves around it. Works CitedCalder, A. The Star. 1960Delahunt, M. (1996-2008). Artlex. Retrieved April 12, 2008 from

Understanding Marxs Theories - 1575 Words

Presentation marx community Marxs theory of self consciousness I would describe as representative of the interrelation between the development of the individual and the community. As with Hegel, Marxs theory is anti-individualistic: the self is constituted only through its social activities, in which lies its essence. Marx wished to argue that the social essence was also, as it was for Feuerbach, a materialistic, non spiritual concept (unlike Hegels view). Marxs social essence or being was not Hegelian and spiritualistic in nature rather it exists in the activity of the community, known as labor. This communal labor sourced in the imagination and will of the individual applied to the whole is the source of language, customs, and institutions (in particular the economic institutions) through which enlightened consciousness, and eventually utopia arises. The Gattungswesen (species-being/ essence), is the very nature of a person and not discrete from ones activity as a worker (labor); as such, species being m akes up ones potential as a person. Conceptually, in the term â€Å"species-essence†, the word â€Å"species† describes the intrinsic human mentality that is characterized by a â€Å"plurality of interests† and â€Å"psychological dynamism†, meaning as humans we seek to do a multiplicity of tasks, that fulfill both physical and mental/psychological needs by way of emotional connection with others. The value of a man rests in being able to conceive (think) of the ends ofShow MoreRelatedThe Theory of Alienation Proven Wrong : People are more Alienated in their Community. 1795 Words   |  8 Pagesfactors. Most people believe that there is a tendency to become alienated when they live their communities but in most cases it is the other way around, people can still be alienated even more than an outsider in their own communities. 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